Reading as a Form of Mental Health Self-Care

If you ever feel particuarly stressed during work or school, you might dream of relaxing at home. There are many activities to do in one’s free time, but many people read to pass time. While the rate of Americans reading for leisure has decreased in recent years, it is still a worthwhile hobby.

Now more than ever, there are multiple options for recreational reading than ever before. One can read a traditional paperback or hardcover book. Or, one can read a book on the e-reader of their choice or listen to an audiobook. No matter how people consume books, there are scientifically-proven benefits to reading.

There are countless genres and types of book that people read every day. No matter the genre, books are an invaluable tool for both casual de-stressing and more structured mental health care. When reading is used in the therapy space, it is called bibliotherapy. From development new parts of one’s personality to distracting from life’s stressors, recreational reading has infinite benefits.

This article will discuss some of the many benefits of reading on one’s mental health, whether in print or audiobook.

Reading as Stress Relief

The most immediate and easy-to-observe effect of reading on one’s emotional state is in its destressing effects. People face endless stressors throughout their daily lives, and reading is a direct way to combat it. Reading any material can distract one from their stress and develop their emotional well-being.

Reading activates a creative part of the brain that so many other activities do not. This allows someone to analyze situations and their life from new perspectives. Putting a little space between the stressors of daily life and one’s brain decreases stress. There are unique stressors for everybody of all ages, but reading is undoubtedly beneficial for all.

For younger audiences, it is common to read picture books or more simple stories with clear morals. This introduces children to creativity from a young age and opens the door to new creative outlets. Adults can also read fiction for destressing purposes after a long day. Any genre can relieve people’s stressors, depending on personal preference. Some may enjoying escaping into a emotional romance, while other can find peace reading horror books.

Nonfiction books have a place in destressing as well. Nonfiction covers a nearly infinite array of topics, from biographies of real-life figures to academic scientific papers. This relieves stress in a similar way to fiction, in addition to teaching more about the world.

Reading as Inspiration

A specific subset of literature is books that can inspire change in its readers. Many books are written intentionally to encourage self-help and nurturing introspection. These self-help guides can cover any topic, as general or as specific as possible. Reading and engaging with the messages of these books directly bolsters one’s mental health. As long as the book is well-sourced and well-written, there is potential to guide one’s mental health journey.

Reading to Build Perspective

Looking at others’ lives through literature can change one’s perspective on life. If a person is going through specific strife, reading anything can offer a new point of view on the situation. This can come from any genre. In fiction, readers can observe the potential of others’ lives to guide their path. In nonfiction, readers can see real-life stories and the impacts of others’ actions. No one is ever alone in the world, and reading can reinforce that truth.

Reading to Build Social Skills

Social skills are crucial to people in every part of the world. Society runs on social interactions between people. Reading or listening to books can build these skills in all people. Children, in particular, are strong targets for this form of social growth. Exposure to as many social situations and cultures as possible teaches them how to behave.

Reading to Inspire Future Writing

All good writers are avid readers. It is the root of most author’s passion and driving force in their writing. This goes for adult readers, children being read to, or anyone listening to a story, in person or on audiobook. Reading from a young age fosters the creative urge to write stories for oneself.

In turn, this writing can be its own form of mental health care. People can write in a journal to release thoughts from their overcrowded minds or just to share a story. No matter the genre, these new books can be a future reader’s own form of mental care.

What Is an ISBN and Why Do My Book and Audiobook Need One?

Each and every book (and audiobook) needs to have some form of identification. That is where a 13-digit International Standard Book Number (ISBN) comes in handy. Every edition of every book has a unique ISBN to identify each individual version. That means that every paperback, hardcover, eBook, and audiobook of one book needs a separate ISBN. When someone searches an ISBN, they can see the title, author, edition, publisher, binding, and publishing date of that book.

An ISBN is different from a barcode number, but it is its own thing. Barcode numbers are directly related to barcodes, which are used by retailers for sales, inventory, and pricing. ISBNs are often found near the barcode, usually not far above it. However, ISBNs are not related to individual sales of books. Instead, ISBNs are for cataloging and identification for customers and retailers and libraries.

ISBNs consist of 13 digits constructed according to a specific format that is consistent for publishers across the world.

Crafting an ISBN

While modern-day ISBNs have 13 digits, that is a relatively new total. Before 2007, ISBNs only had 10 digits. The new digits were added to increase the totals ISBNs available for new books and new editions of old books.

Five specific elements make up the 13 digits of an ISBN, often separated by hyphens. These are set in stone and make up every book on the market. Books from all countries and in all languages are subject to this format. Below, this article will review each element that makes up a standard ISBN.

Prefix

The first three digits of every post-2007 ISBN are the prefix. This was the section that was added to accommodate the growing publishing industry. 978 is the prefix typically used for older ISBNs, including adding on to the 10-digit ones. 979 is the prefix used for newer books, including new editions of older books. These are the only two prefixes used currently, and all your new books and audiobooks will have it.

Registration Group

Next up is the registration group, which is the next one to five digits. The registration group is based on the book’s country of origin and language. Each country and/or language has at least one code; many have multiples. Most countries are still on the original 978 prefix, so only have registration groups associated with that prefix. Four countries (the United States, South Korea, Italy, and France) have a different registration group for the 979 prefix. The registration groups for the United States are 1 and 2 for 978 prefixes and group 8 for 979 prefixes.

Some countries with one code include Norway (82), Poland (83), Cuba (959), Libya (9959), and Luxembourg (99959). Many others have multiple codes available for their ISBN registration group. For example, Indonesia (602, 623, and 979), Ecuador (9978 and 9942), and Kuwait (9921, 99906, 99966).

Registrant Element

The registrant element of the ISBN can be the next one to seven digits of the ISBN. These digits identify the publisher or imprint that is publishing the book. This helps to organize the ISBNs according to the publisher. When ISBNs are distributed, this keeps the ISBNs close together for multiple editions of the same book. For all our books and audiobooks, Cloverly Publishing’s registrant code is 89743.

Publication Element

The next one to six digits is the part of the ISBN that identifies the specific book or edition. Before this, the numbers were largely about general business-side things. This is where your book gets its own special treatment; it sets you apart from our other authors.

Check Digit

Finally comes the check digit. This one digit at the end of each ISBN is calculated based on all the other numbers. Authors do not need to know the calculation of this element. The only relevant part of this is that it is the control aspect that makes sure the ISBN is valid. As said, this comes with your ISBN and need not be calculated separately.

Getting an ISBN

Self-publishers have to get their book’s, in all its editions, ISBN(s) themselves. They can be purchased either individually or in bulk through Bowker Publishing Services. Bowker is the official provider of ISBNs in the United States, but this is different in other countries. The Library of Congress uses ISBNs in its comprehensive catalog of books, but they outsource assignment to Bowker.

However, when you publish your book or audiobook with Cloverly, we completely handle your ISBN. We contract with Bowker for bulk ISBNs that we can assign to each edition of all our books. This is just one less thing our authors have to worry about during the publishing process.

Writing About Irish Culture and Folklore

St. Patrick’s Day is a day to celebrate everything Irish. People celebrate St. Patrick’s Day in different ways around the world every March 17. Children and adults have their own ways to have fun on this day. While most commonly celebrated with beer and partying, the roots of St. Patrick’s Day go back centuries.

Beyond just a day to honor Irish culture and folklore, St. Patrick’s Day is the feast day for St. Patrick. In Christianity, a feast day is a day to honor a holy figure, and March 17 is St. Patrick’s. While many people do not always practice the religious background of the day, there is something for everybody.

St. Patrick’s Day is a natural fit for books and audiobooks because of the vibrant Irish folklore at its core. You can write a book about any aspect of the day for any audience possible. It is a day of fun and whimsy, as well as a deep historical meaning. This article will guide you through the basics of St. Patrick’s Day history and imagery.

St. Patrick’s Life and Legacy

St. Patrick’s Day has become a popular and well-known secular holiday around the world. However, its roots are in the real-life St. Patrick, who was a Christian missionary born in fifth-century Britain. His strongest legacy is going to Ireland as part of his mission and spreading Christianity there. Before him, Ireland was largely pagan, focused less on organization and more on nature and spirituality.

Today, Ireland is a majority Christian country, and that largely stems back to St. Patrick. He is recognized as a Christian saint today, despite never being canonized as such because of church rules of the time. He is one of the most revered people in Irish history.

St. Patrick’s Day started as a day recognizing his work and evolved into a larger celebration of Ireland. No matter what, March 17 is a day to take in all that Irish culture and folklore have to offer.

Irish Folklore and Cultural Symbols

As discussed, most celebrations of St. Patrick’s Day focus on Irish folklore and culture. These symbols highlight Ireland’s rich cultural history. These elements are often fantastical in nature and set St. Patrick’s Day apart from other holidays.

One element of St. Patrick’s Day lore that is rooted in St. Patrick, however, is about snakes. There are no native snake species in Ireland. To explain this, it is speculated that St. Patrick expelled all snakes when we arrived on the island. This has been scientifically debunked, but the legend is resonant because of snakes’ evil characterization in religion.

The single most recognizable element of St. Patrick’s Day, and Irish culture as a whole, is the color green. Ireland is known as the Emerald Isle because of the green landscape across the country. Much of this green scenery comes from shamrocks, a three-leafed clover. While four-leafed clovers are considered especially lucky, shamrocks are an immediately recognizable symbol of Ireland. Shamrocks do have a connection to St. Patrick’s lore. He is said to have used the shamrock’s three leaves to teach the concept of the Holy Trinity.

Another piece of folklore that is common and ubiquitous to Ireland is the leprechaun. Leprechauns are small, impish creatures with red hair and green clothes who play pranks on people. These pranks can be as playful or sinister as they see fit. Because of their distinctive clothes and appearance, they are perfect for children’s books. The most common prank is leaving a pot of gold at the end of a rainbow, another eye-catching image.

St. Patrick’s Day in Books and Audio

Mixing and matching these elements and any other aspect of Irish folklore can create a compelling story. No matter the genre, you can write a captivating story that showcases St. Patrick and Irish culture. St. Patrick’s Day books can truly be written for any demographic or age group. Whether a colorful children’s book or a swoonworthy Irish romance, there’s a potential book for everything.

Specifically focusing on audiobooks, St. Patrick’s Day is a perfect holiday for the format. Since most of these stories take place in or around Ireland, there is ample opportunity to play with accents. Irish accents are extremely distinctive, and they can add texture and layers to an audiobook recording.

When writing, focus on what sounds best to hear spoken aloud. This is true for any book, but especially one you want to convert into an audiobook. Doing so will make your book stronger so all audiences, whether they are reading or listening to your book.

How Diversity and Representation in Storytelling Engages Audiences

When choosing a story to read or listen to, audiences have their own criteria. Some people value a strong narrative, others want engaging characters. Some readers seek out well-read classics, while others look for brand-new discoveries. There is not a wrong way to choose a book or audiobook. No matter what kind of story they are looking for, diversity and representation always plays a key role.

There are infinite genres and sub-genres of books and audiobooks, covering fiction, nonfiction, self help, reference, children’s, etc. Within these books, each author uses their own lived experiences to inform their text. This is not necessarily an indication of the content of the book. People can write about whatever they envision, but diverse backgrounds create rich stories.

Engaging readers and listeners from the very beginning of their reading journey is key. Diversity and representation play a large part of that — seeing themselves in books grips them from the earliest ages. This is a brief guide advocating for increased inclusion across the publishing industry.

Diversity and Representation in a Nutshell

To put it simply, diversity is when there are a wide range of voices available in a given area. Diversity can come in all shapes and sizes, from authors from different backgrounds to stories that resonate across groups. Representation is similar to diversity, focusing on consumers feeling themselves represented in the media. These two concepts work in tandem to create an inclusive atmosphere across industries.

Everyone has their own individual identities, spanning race, gender, sexual orientation, ethnicity, age, and religion. In the publishing industry, it is crucial to provide people from every background with a platform. True representation can only come when there are open barriers to entry in publishing.

Books and audiobooks boosting representation do not necessarily have to be about the author’s diverse background. Their story can be about anything. The mere presence of authors from various backgrounds increases the inherent diversity in the industry. A publishing industry in which all the authors come from the same background would not benefit anybody.

Diversity in Audiobooks

Audiobooks are similar to books, but there are elements that make audiobooks unique in terms of representation and diversity. As a subset of the larger publishing industry, audiobooks should also represent the audiences they are seeking to attract. Everyone is different, but sharing one component of their background with someone opens doors to common bonds. This applies to audiobooks of all genres: romance, fantasy, children’s, self help, spiritual, etc. People who prefer to listen to audiobooks over reading physical books span demographics.

When a story is told via audio, it is sharing a piece of the author’s mind. The recording should reflect that singularity. Therefore, the narrator chosen for each audiobook recording should be carefully considered to fit the material. Misplaced voice narration can take a listener completely out of their experience and potentially make them dislike audiobooks entirely.

Another aspect of audiobook diversity comes from the stories that become recorded for the format. Audiobooks, as with print books, should not be limited in genre or scope. This is an industry that is just as useful as traditional publishing, so there should be material for everybody. Different groups prefer different genres, and there should be an audiobook for everybody.

Even though the words of audiobooks and physical books are usually the same, the storytelling can feel different. Hearing words spoken aloud can change their meaning or context, allowing for more voices than ever to be shared.

The Role of Publishers and Producers

Authors cannot do this alone. The only way that diverse audiobooks can be heard around the world is if they are produced and published. It is incumbent on companies across the industry to allow in new authors. That is the quickest and easiest way to allow the largest possible variety of backgrounds.

Cloverly Audiobook is here to help every step of the way. No matter what your book is about, we are here to help get your book in the ears of listeners. Producing an audiobook independently is nearly impossible without professional experience in the industry. If you entrust your book with Cloverly, we will make sure you have a top-notch team behind you. We will help you cast professional voice actors to narrate your story and distribute your finished audiobook across platforms.

How to Create a Storyboard and Tailor It to an Audiobook

Almost every successful piece of media relies on a solid structure. From the flow of the plot to fleshed-out characters, the foundation of your story is of the utmost importance. One way to build the bones for a strong story is making a storyboard.

Your storyboard will be highly individualized to your needs as a writer. A storyboard can be specifically tailored with an ear for audiobooks. The elements of a storyboard can vary greatly, but this guide will highlight some of the most common and helpful components to consider.

Overview of a Storyboard

The simplest form of a storyboard is one that uses physical paper to organize your story. Starting from the beginning, each element of your story can be written on individual pieces of paper and arranged. These pieces of paper are often index cards or Post-it notes. Once you have all your elements arranged, you will see a big-picture overview of your story. You can make any adjustments as needed.

The ultimate goal of a storyboard is to organize your thoughts before (or after) you start writing. You can have the germ of an idea, but a storyboard will assist in getting that on the page. That is why having a consistent format and structure is especially helpful.

The Components of a Storyboard

Your personalized experience of making a storyboard is guided by your needs. That being said, there are common elements often included in storyboards: plot, characters, and drawings. Use these as needed, or not at all, but make sure you utilize the process to your advantage. Nothing in your storyboard is final, just a form of brainstorming and organization.

Segments of Plot

Your book is nothing without the plot. Even for nonfiction works, the plot is the guiding force of the text. That is why putting plot points on your storyboard is crucial and almost always included in storyboarding. Your plot is important to keep readers engaged and coming back for more.

When storyboarding, write as many plot beats on your cards as you think is necessary. Then, arrange them in chronological order to create a timeline of your story. Even books that are not told chronologically can use this to keep track of the story. You will be able to visualize the entire plot of your book, which you can then amend as needed. Simple stories and complex tales can equally benefit from storyboarding their plot beats.

Character Descriptions

What is your story without your characters? Your plot cannot possibly move along without your characters’ involvement in the story. Having distinct characters will only help your book.

In using your storyboard for character development, each of your main characters should get a dedicated card. On this sheet, you can put any of your character’s traits on this card. Some examples are background details, motivations, relationships to other characters, and other key details. You can even put potential quotes or examples of what their dialogue may be. Put whatever information most defines your characters.

Sample Drawings

Even non-illustrated books can use pictures in the storyboarding process. When you include drawings in your storyboard, it serves several purposes. Firstly, it helps you visualize the story you are telling. This can help your writing because it shows what you are trying to convey with your writing. Another use of these storyboard illustrations is that it can develop your own vision of the story. Finally, it can also serve as inspiration for your book’s final illustrations or cover art.

Audio-Specific Considerations for Storyboarding

Often, your audiobook is a conversion of a previously published book. If you know you want to produce an audiobook, or plan to go directly to audio, you can tailor your storyboarding to the ear.

Audiobooks do not vastly differ from traditional books and are often exact narrations. However, when writing with audiobooks in mind, always focus on how something may sound. In storyboarding, that would mean including as much verbal content as possible. Dialogue, in particular, is ripe for storyboarding in this context. Doing so would allow you to easily read important lines to make sure they sound natural. You can also use specific examples of prose to make sure it flows. All storyboards are custom-tailored to your writing process, and audio-focused ones are no exception.

Basic Three-Act Structure

Across media, most narrative stories utilize a three-act structure, broadly encompassing the beginning, middle, and end of the story. This is not a strict rule, but a general guideline that can be helpful, especially when storyboarding.

The first act should establish the characters of your story and set up the stakes. This is a great opportunity for world building, immersing the audience into the world of your book. The further away from reality your book is (fantasy or science fiction, for example), the more world building you need. This section should not be too long, as long as everything is set up for the rest of the story.

The second act is the large chunk in the middle of your story. This is where the majority of the action of your story takes place. All the groundwork you laid in the first act comes to fruition here. Depending on the genre, this does not necessarily have to be traditional action sequences. It can be emotional or psychological action that brings the threads of your story to a close.

The third, and final, act is the conclusion of the story. This section does not have too long either, just long enough to wrap up everything in the aftermath of the climax. You do not want your readers to feel like the story is dragging on long after the conflict is resolved. How you conclude your characters’ arcs is completely up to you. Keep in mind the overall story being told and if these characters will appear in future stories.

Make Storyboarding Work for You

Your storyboarding process does not have to follow any guidelines. Use it however you see fit. You can even make a storyboard after finishing a first draft. To do so, you transfer the material you have already written to the storyboard so you can visualize the big picture of your work. That is a great way to edit and revise for future drafts.

Nobody ever has to see your storyboard; it is just for you. No one will be able to judge your work because of how you storyboarded it. The point is to make your book as strong as possible, so personalize the process to your writing style.

Cloverly Academy has just released a new edition to our Cloverly One-On-One podcast series. We interview recent and notable published authors about their inspiration and publishing journey. Click here to listen to the podcast on your favorite platform

How to Promote an Audiobook in the Modern Age

The audiobook industry is in the midst of exponential growth. More people are listening to audiobooks than ever before. Therefore, your new audiobook is in a prime position to reach more ears than was previously thought possible. Whether your audiobook is a conversion of your print book or an audio original, your promotion is crucial.

Your promotion can take any form you want it to take. You can hold events and post on social media, but whatever you do, make sure it feels authentic to you. Whatever your book is about, you can tap into an interested market eager to listen to it.

Cloverly Audiobook’s Support

Publishing with Cloverly Audiobook puts everything your interested listeners need into one easy spot. We also launch initial marketing materials for you as you embark on your audiobook promotional journey. From here, people can find your audiobook for sale on Apple, Audible, and Amazon. You can browse our recent releases to see what you can share with your audience.

Here at Cloverly, we have a team of professional press release writers who craft individualized releases for your new audiobook. These releases provide an overview of the content of your book and where to buy it and are distributed through a global distribution service. A real person custom tailors the press release to your new audiobook.

Our new releases will be announced via posts across our social media platforms — Linkedin, Facebook, Instagram, and YouTube. Also, we will create a short promotional video announcing your book that can easily be shared. This is just a baseline of material that gives you a jumpstart on your journey.

Share with Your Pre-Existing Readers

The first audience you should share your audiobook with is the readers of your print or digital book! This is your built-in fanbase that will be the most eager to listen to an audiobook. The value of engaging your already-existing network of readers is immense. It can motivate their passion for your book and urge them to share it with others.

You can share the news of your audiobook’s release across mediums, whether in person or online. Doing so will recapture this existing audience while working to expand it further.

Promote Within Community Organizations

When looking to expand your audience, a natural starting point is those in communities with you. These groups can be faith based, affinity based, book clubs, sports, or anything else in your life. Promoting within these groups who already know you is an easier task than finding completely new people. For example, at a regularly-scheduled meeting, you can play a sample of your audiobook.

You can also target your outreach efforts to groups that would be of particular interest to your book. A faith-based audiobook, for example, would be a natural fit for a Bible study or Church group. A children’s audiobook could be shared with a school or library for specific events. Either way, feel free to reach out beyond the groups you already are part of. Branch out into new spaces!

Posting on Social Media

In this day and age, social media is the most important marketing tool in your arsenal. Facebook, TikTok, Instagram, X, or YouTube are some of the most common platforms today. It is increasingly important to gain traction across social media platforms to increase your success as a writer. The platforms you engage with readers on can depend on your comfort level, but feel free to learn new ones. Friends and family or online resources can help you learn new social media platforms.

Your content you should post will be dependent on the platform you are using. Regardless, for audiobook releases, clips of your audio are going to be the most successful in finding new listeners. To prepare the clip or clips you want to use, select a passage of your audiobook you are exceptionally proud of. Once you have these clips, you can share them as you please. 

Customize the content for each website; do not just post your audio clip with nothing else. On Facebook or X, you could include a longer post about your process and what drew you to the material. On TikTok or Instagram, you can easily incorporate video content with it. Whatever you decide to post on social media, make sure it will be enticing to the audience you are seeking.

Further, do not forget to ask your listeners to review your book on online retailers. That is the surest way to boost your audiobook’s presence online with reviews from real listeners.

Throwing an Audiobook Launch Party

You should celebrate when you release your new audiobook — it is a big accomplishment! By hosting a launch party, you can both celebrate your achievement and court new listeners. Your party can be as big or small as you want, but you should definitely include a listening component. Give your attendees a taste of the work you have dedicated so much time into. If your guest list is limited to personal acquaintances, they will be proud to hear the fruit of your labor. If you open the party to the public, this is a golden opportunity to find new listeners.

While a traditional book launch would feature hard-copy copies of a book, an audiobook released through Cloverly will not have a physical option. Therefore, make sure to provide an easy way for the audience to purchase your book on their personal devices. Never let an opportunity to sell more copies pass you by.

Getting Support from Friends and Family

The process of promoting your audiobook may seem daunting, but you do not have to do it alone! Before your audiobook is released, ask a group of friends and family to help you tackle this highly-important time. Upon release, these people can help you with creating content for social media and sharing it on their own networks. This provides an immediate boost to the visibility of your work. THey can also help you with planning and coordinating any events you may host for your audiobook. As long as you include trusted friends and family in your “launch team.”

Why you shouldn’t narrate your own audiobook

You may be asking yourself, “Should I narrate my own audiobook?” While it may seem like the best way to keep your personal touch on every element of the production process, it is always best to leave the narration to a trained professional narrator.

Here at Cloverly Audiobooks, we offer one comprehensive package that includes casting professional voice talent for your audiobook. Our talent knows the ropes of audiobook narration and will help move the production process along smoothly.

Stamina to Record Narration

You spend weeks, months, or years of your life writing your book. Then you go through the lengthy process of publishing and all that entails. So, you’ve been through it all — editing, cover art, promotion, etc. That was not easy and takes endurance and patience.

Now, you are converting your print or digital book into an audiobook. This process involves a completely different kind of stamina than writing and editing your original book. Your book is already out there in the world; your text is set in stone. No more editorial changes need to be made, just narration, technical production, and marketing materials/cover art to create the highest-quality product. All of the voice actors in the Cloverly Audiobook talent pool are professionals who know the process.

Recording an audiobook takes a lot of time and physical endurance. Read a few pages of your book out loud. Now, imagine having to read the whole book aloud into a microphone, clearly and without any errors. That is what professional voiceover artists specialize in.

Professional Narrators Have Background and Training

Professional actors, in any medium, have training and a background in performing arts that non-actors simply do not possess. Think of your favorite movie, television show, or audio drama. Those actors know how to use their energy to maximum effect.

Cloverly Audiobook’s talent can adjust their performances and take direction to make sure their narration for your audiobook matches what you intended. You have control over who gets cast in your audiobook based on what you are looking for in the narration. Further, before they record the narration, we make sure you clearly describe what you are looking for in their work. All actors in our talent pool will take direction and produce a stellar, high-quality recording.

Ease of Process

Outside of the physical endurance required to record an audiobook, it is simply easier for you to allow professionals to record the narration. First and foremost, to ensure a high-quality recording, all narration has to take place on professional equipment. Most people do not have the equipment or setup necessary to meet high production standards at their homes. Alternatively, recording studios are not always accessible. All members of our talent pool are familiar with recording protocols and the equipment required to record effective narration.

Just because you are not recording the narration of your audiobook does not mean you will not be involved in the production process. Quite the contrary. You will be involved every step of the way. Nothing will be finalized or released without your permission. Your audiobook will completely match your creative vision, and hiring a narrator will ensure the smoothest process possible.

No Artificial Intelligence…Ever!

At Cloverly Audiobook, the narrator of your audiobook will always be a real human. You story will never be told with artificial intelligence. The difference is crystal clear. Artificial voice programs will always lack the human touch that makes for an engaging audiobook. Any performer from our talented pool of narrators will create a better and more human-sounding recording than an A.I. program.

The best way to gauge our talent pool is to listen for yourself. You can check out our recent releases to listen to examples of our work.

As a published author, you already went through the whole process of submitting a manuscript, editing it, designing the cover art, and finally getting your book out there into the world. Now, it is time to expand your audience even further and turn your book into an audiobook.

What do you need to do to get started? All you need to do is talk to one of our agents here at Cloverly Audiobook and then send us a PDF or Microsoft Word document of your book, whether it be a print book or digital eBook. As long as you send us the published version of your work in either of those formats, we will be able to get started working on the rest.

We want your audiobook to match your previously published book as much as possible, so make sure you do not send us an unfinished, pre-publication draft. That would just confuse the production process as well as your audience.

Once our team receives your Word document or PDF, we can begin focusing our work on the technical side of creating an audiobook. This includes, but is not limited to, matching your book to someone in our voice talent pool who matches your vision, creating an audiobook cover that aligns with the print or digital edition of your book, and publishing your audiobook for sale in the same listing as your published work.

Since your audiobook is based on your already-published material, there is less of an editorial procedure than when publishing a new book. You already went through the editing process! We just want to make sure the finished audiobook works in tandem with your print or digital book to create a cohesive product that will reach the largest audience possible.

If you are new to audiobooks, you might be asking yourself, “Where will my audiobook be sold?” Since there is no print book or digital eBook of an audiobook, it is natural to not know where to buy an audiobook. With Cloverly Audiobook, we make it crystal clear where your audiobook can be found so audiences all over the world can start listening as soon as you publish.

Instead of traditional print publishing, which relies on distributors to sell wholesale books to brick-and-mortar and online retailers, audiobooks are uploaded directly to the platforms they are sold on. In other words, as part of your contract with Cloverly Audiobook, we handle uploading your audiobook to the major retail platforms for you. It’s as simple as that.

The three major audiobook retailers are Apple Books, Amazon, and Audible. Once we post your audiobook for sale on any of those platforms, customers will be able to search your book title and find the audiobook for purchase directly on those sites.

Apple Books is Apple’s retail platform for audiobooks and eEbooks across iOS devices, including your iPhone, iPad, and MacBook. Once your book is purchased through Apple, the consumer can start listening straightaway on the Apple Books app on any of those devices.

Amazon and Audible have a lot of crossover, as Audible is owned by Amazon, but a customer can purchase your audiobook through either platform. Once purchased, your audiobook can immediately be listened to on Amazon Kindles or the Audible app on any smartphone.

No matter where your new customer purchased their audiobook, rest assured they will be able to quickly and easily begin listening to your work right to any of their smart devices.